Archive for the 'Brand Identity' Category
Product design by Liquid debuts at 2010 HouseWares Show.
In March, I attended the HouseWares Show in Chicago along with our our client, Slice, who was debuting a new logo, new booth, and a whole bunch of new products – including a new box cutter I co-designed with Scot Herbst. In terms of product design, this is a first for Liquid, and it was a very exciting event. Slice is a small company that makes a very cool set of products that cut, grate, chop…and, of course…slice. The product line includes peelers, graters, scissors, utility knives, kitchen knives, nail clippers..and now a box cutter. Liquid has been involved with Slice since the very start, when I helped design the product that launched the company – the iSlice – a simple one-sheet cutter with a very small ceramic blade. This product is still a best seller today, although it is now marketed as the “Safety Cutter”. From the beginning we’ve worked closely with TJ Scimone, a very dear friend, and the Founder / CEO of Slice. Over many breakfast meetings we worked together to defined the company’s brand strategy and business direction, and as the Brand Architect for Slice I have had the pleasure to be involved with every possible manifestation of the brand.
Most importantly, Liquid has helped develop relationships with some of the world’s most celebrated designers, including Karim Rashid, Michael Graves, and Yves Behar. We’ve also been instrumental in identifying fresh talent, like Scot Herbst – who is the man behind the popular Kaiku brand, and is now helping develop many of Slice’s new products. At the beginning, Liquid provided all of the design services necessary to launch the company, including the logo, packaging, literature and website. Today, Slice continues to grow at a rapid pace, and we remain integrally involved in every aspect of the brand’s evolution – with a great emphasis on product development – and as the Brand Architect for Slice, Alfredo Muccino provides high-level strategic and creative direction to a very diverse and very talented group of independent designers. For example, we worked on the packaging with Tom Crabtree, creative director of Manual in San Francisco (Tom designed the iPhone packaging at Apple) who collaborated with one of Liquid’s former Creative Directors, the very talented Joshua Swanbeck. They both put their considerable skills to work for Slice and revamped the entire packaging system as well as refining the Slice identity and creating new literature. We also tapped the talents of Jan Habraken, a multi-disciplinary designer originally from the Netherlands, now working in NY. Jan designed the new Slice booth – which got almost as much attention as the products. Good work, Jan!
The 2010 International HouseWares Show was a great success for Slice. According to Phil Brandl, president of the International Housewares Association, “We were encouraged by the significant increase in international buyer attendance this year as well as by the reports that U.S. retailers and senior executives were present in large numbers.” The Slice booth was visited by buyers from all over the world, including Japan, Korea, Australia, Germany, the UK, the Netherlands, Brazil and more. All of the visitors lauded the Slice brand for the quality of its product design as well as for the elegance of its presentation.
To much acclaim, Slice introduced a new Salt and Pepper Grinder by Karim Rashid – who showed up at our booth and helped introduce the new product. Slice also launched a complete set of personal care accessories by Michael Graves – the acclaimed architect who is also well-known for his product designs for Target and Alessi. Being able to introduce the Box Cutter that I designed along with Scott Herbst in such amazing company was quite an honor.
The Box Cutter uses ceramic blades that last 10X longer than traditional metal blades, while its unique shape offers a better grip and improved safety features. Without a question, the design of this product sets it apart from all other utility knifes on the market. We are currently at work on a number of new products and look forward to sharing them with you as soon as we make progress. In the meanwhile, please let us know what you think of the work we’re doing for Slice.We’d love to get your feedback…and any suggestions for new product extensions!!!
Great design from our friends at WSDIA in NY.
WSDIA: A very talented group of people that take design seriously.
On a recent trip to New York I was introduced to a small, but very talented firm: WSDIA.According to their website: “Our name WeShouldDoItAll (WSDIA) is simply a goal. Designers and all other professionals alike should not feel constrained to some singular expertise. To survive our own creative game, it is imperative to know that there is not one absolute solution to a given problem. To immerse oneself within different avenues of creative production and mediums forces you to consider the otherwise unconsidered. It’s that method of working that’s exciting and motivating to look forward to the next transition.”
Nice people. Lots of talent. And plenty of ambition.
I was introduced to Jonathan Jackson & Sarah Nelson, two of the three principals at WSDIA, by my very good friend (and also very talented designer), Chris Vivion. In the course of my travels and my work I meet a lot of designers. Sometimes I meet people who are exceptionally talented…on occasion I meet folks who are really smart…and at times I meet designers who are very nice people - alas, they’re personality does not always match up to their work. Meeting Jonathan and Sarah was refreshing because they represented a combination of the best qualities I find in true designers: talent, curiosity, passion, intelligence and ambition. On top of all these great qualities, they struck me as unassuming, approachable, and extremely nice people. BTW: By “ambition” I don’t mean a drive to make a lot of money. No, no, no. I mean the ambition to keep pushing the limits, and the desire to do bigger, better, more interesting and more meaningful projects. That’s the kind of ambition that people that end up being really, really good must have. And the folks at WSDIA have plenty of it.
New Practices New York
Jonathan and Sarah shared with me several projects that I thought were really smart and exceptionally executed. I really enjoyed the New Practices New York exhibition design.
This project exemplifies the firms ability to create striking solutions that blend the aesthetics of architecture and graphics in a combination that is visually fresh and dimensionally interesting. I learned that WSDIA is made up of people that come from backgrounds that include architecture, graphics and fashion…which may explain why their work is so multifaceted. I love the physical nature of the signage and the attention to detail that went into the execution.
Young Guns Live
Another project I really liked is the Young Guns Live project for the Art Directors Club of New York.
For this assignment the team created a set that they photographed as the key visual for the marketing materials. The typography was created from brown fabric and stuffed with cotton (now named, ‘Gotham Stuffed’). The end result is whimsical and sophisticated…and although it is definitely avant-garde, it evokes a certain level of craftsmanship that is not all too often part of today’s design aesthetics…which is what makes it so special and fresh.I look forward to seeing what this talented team will be designing next. In the meanwhile, if you have any thoughts, please feel free to share them.
Thanks,
Alfredo Muccino
Chief Creative Officer
Liquid Agency
What do you think about the new AOL brand?
AOL turns into Aol.
The company that used to be called AOL, and was recently spun off from Time Warner, is shrinking in size in order to survive…and now its name and logo are shrinking as well. Perhaps as a reflection of its intention to cut about 2,500 jobs, AOL has changed the UC treatment of the acronym to one that includes an upper case “A” and lower case “ol”. And, in an attempt to communicate that the company is in the internet space, it is adding a “.” after its moniker. “AOL” is now “Aol.”
Brand identities need to be refreshed every so often. This can be motivated by the fact that, over time, design aesthetics change and it may be necessary to refresh a design that starts to feel dated. However, changing a brand identity can also be symbolic of a change in the company’s focus or structure, or a change in the marketplace situation. In the case of AOL (oops, Aol.), the change seems to be motivated by the changes in the company’s structure and a desire to re-introduce itself to its audiences.
Is “uniquely dynamic” the same as trite and playful?
According to Tim Armstrong, the company’s CEO, “Our new identity is uniquely dynamic. Our business is focused on creating world-class experiences for consumers and AOL is centered on creative and talented people - employees, partners, and advertisers. We have a clear strategy that we are passionate about and we plan on standing behind the AOL brand as we take the company into the next decade.”
The new look was created by Wolff Olins, the same firm that also designed the much maligned 2012 London Olympics logo, and most recently the fairly unpopular NYC logo. So far, the new Aol. identity is not being embraced with much affection. Take a look at a recent article in Fast Company or read the story on CNet .
I think the new Aol. is awkward.
In my opinion, the new identity may very well be “dynamic”, but it seems to be trying too hard to look young and energetic. The playfulness seems out of line with the announcements about layoffs, and the seriousness of Aol.’s financial situation. Changing the font to lower case is a simplistic attempt to look friendlier and more accessible…while at the same time, the lower case “l” looks like an upper case “I” (which is visually confusing). In fact, I think the whole thing looks a bot awkward…and I find that the addition of the “dot” is trite - while at the same time it poses all sorts of problems when writing out the name of the company in text form - AOL simply looks and works much better than Aol. (Wait…at the end of a sentence should I add another period after the dot?). And this commentary has not even begun to take into account the backgrounds from which the letters Aol. are reversed out. What is that pink cloud? Perhaps a bit of cotton candy? And, what is the green scribble? I find that the is dot hard to read in that version. Do you? BTW: In Italy the hand image stands for “cuckold”…I think that’s pretty funny.
I don’t like it. Do you?
OK…it’s obvious, I don’t care for the new Aol. identity. I’d love to hear what any of you think of the new logo? Is this what you would do to help AOL change the way that people think about the brand?
I’d love to hear your opinion.
Ciao!
Alfredo Muccino
Chief Creative Officer
Liquid Agency
Liquid Agency re-brands the California Association of Museums.
On Thursday morning, February 25, 2009, Alfredo Muccino, Chief Creative Officer at Liquid Agency, unveiled the new brand identity that Liquid designed for the California Association of Museums at the Annual CAM Conference in San Francisco. This year’s conference was held at the Kabuki Hotel in San Francisco, and was well attended by members of the association from across the State. To very positive response, the new logo was shown to CAM members for the first time immediately following a panel discussion moderated by Don Sanchez, the arts and entertainment reporter for ABC7.
A few months ago, Liquid Agency was hired by the CAM board of directors to craft a new brand identity for the association. The project was initiated in part as a way to celebrate the organization’s 30 year anniversary, but also to represent the growth of the association – in terms of its membership and also in terms of the services and resources that it provides its members. As the next phase in the assignment, Liquid will start designing a new website and the organization’s marketing collateral.
According to Alfredo Muccino, “Designing the new logo and brand identity for CAM was a distinct honor. Getting a chance to work with an organization that helps support museums in California and contributes to the cultural wealth of our communities is extremely rewarding at many levels. Liquid has participated in the branding of many local cultural projects, but this one was special since its reach was statewide.”
The design work was well received by the association members and its board of directors. Here’s a quote from Celeste DeWald, Executive Director, California Association of Museums: “We’re very pleased with the work that Liquid Agency has done on our brand identity. The new logo is distinctive and clean - and it reflects the diverse and dynamic nature of the association and its members. We’re very excited about it.”
Above are images of the current logo and the new one, as well as applications of the new identity to conference bags, t-shirts and business cards. As soon as we launch the new website, we will let you know.
In the meantime, we’d love to hear your opinion on the new identity.
2 commentsRebranding… Let’s hope it’s more than cosmetic
Is it just me or is 2009 going to be the Year of the Rebrand? From political parties to Pepsi, from banks to bailout programs - every day companies, countries and entire industries are trying to transform themselves. Some rebranding efforts, like those coming from beverage giant PepsiCo seem purely cosmetic with not much changed besides the exterior package.
More interesting to watch will be those coming from the troubled financial industry where Wall Street and Main Street banks must rebuild trust in their brands while simultaneously grappling with how to integrate acquisitions or spin off once powerful brands. These financial industry rebrands will be challenging which makes them fun to watch. Here are a few rebrand moves that brand marketers will find interesting.
Bank of America deals with the Bull
Over the years, Bank America has abandoned dozens of acquired institutions brand names opting to bring them into the B of A fold. Now the bank is breaking with tradition as it combines operations with its latest $24 billion dollar purchase - Merrill Lynch. This time, both the Merrill Lynch name and iconic bull logo will survive.
Here’s how they plan to manage the two brands:Bank of America Merrill Lynch will be the name of the new corporate and investor bank. It will fly under the Bank of America flag identity. Merrill Lynch Wealth Management will be the combined firms’ financial advisory, brokerage business – this group will retain the iconic bull logo.I’ll be curious to see how this dual brand strategy plays out over time - provided B of A gets through its latest public relations disaster. AIG subsidiary runs away from homeAIG Financial Advisors, a subsidiary of bailout poster child AIG is changing its name in an effort to distance itself from its continually troubled parent. But rebranding itself as SagePoint Financial – seems a bit hard to swallow. I have a hard time associating wisdom and knowledge to anything ever connected with AIG. Perhaps this rebrand should be put on pause – allowing the company to rethink how it should move forward – keeping in mind that a brand is not what you say it is – it’s what customers say it is. They’ve got a difficult and maybe impossible task ahead – but this rebrand went too far.Watch for more posts coming on the financial industry’s rebranding efforts - I’ve got to think this is only the beginning.
2 commentsCocaCola’s new look is truly refreshing.
In my last posting I discussed the new Pepsi brand design, and it seems appropriate to follow that dialog with some thoughts about Coca-Cola’s recent brand revamp. As it may have been apparent, I am not a big fan of Pepsi’s latest branding efforts. In my opinion, the new logo is not much of an improvement over the old one, and the packaging seems rather generic and sterile. On the other hand, I am truly impressed with what Coca-Cola just did.
Interestingly, if one looks at the new can by itself, the change is hardly apparent. Yet, when you place the previous can next to the new one, the design modifications one starts to notice are quite nice. Gone are all the little extra design elements, such as the touch of yellow, the multiple layers of swooshes, and the bubble patterns.
The designers have stripped away everything that was not essential and exercised a great deal of restraint in the new design. The typography that identifies the product as “CLASSIC” has been modernized and it is now all in lower case. This simple gesture seems to have an informality that is admirably on brand with the personality I expect of Coca-Cola. It is friendlier and more approachable. In my opinion, the fact that the design refresh is, at first glance, almost unnoticeable is also refreshing. I think this is a very respectful way to treat a classic icon. Yet the changes – once noticed – are definite improvements.
I’m also a fan of the Coca-Cola Zero packaging. The red Coca-Cola logo on the solid black background has an edge to it, yet it seems like a natural extension of the brand. And I love the aluminum bottles. They remind me of the way I felt when I first saw the redesign of the VW beetle by Jay Mays – a modern interpretation of a classic that re-invents the vehicle while making it feel like a natural evolution of the original.
The item that caught my eye and made me look further into the re-design was the ubiquitous white paper cup from fast food restaurants, but this time it featured the red silhouette of the Coca-Cola bottle. One of our designers walked into our office sipping from the cup, and I just loved the way that the straw looked like it was coming from the bottle. This design is fun yet really smart. The simple graphics imbue the paper cup with a sense of nostalgia and playfulness that are perfectly aligned with the brand. Also, I love the design of the delivery trucks. I have not seen these on the streets yet, and can’t wait to see the reaction that people will have when they first see them. I like the fact that the visual is an allegory to the purpose of the truck - which is to deliver Coca-Cola products…and the oversize bottle seems to say “this brand is bigger than life” - and, given that Coca-Cola is considered the most valuable brand in the world, it makes sense. Once again, the design is playful and impactful…yet it is completely appropriate.
It’s nice to see a brand like Coca-Cola exercise the design discipline it did with its latest branding efforts. This work is honest, clean, fresh – and it has lots of personality - and I hope that more brands are inspired by it.
Please feel free to comment!
Alfredo Muccino
Chief Creative Officer
Liquid Agency | Brand Marketing
Pepsi’s new brand identity: Not what I call “refreshing”.
Occasionally brands need a little refreshing. Pepsi recently announced that it is canning BBDO Worldwide, which has produced campaigns for the brand since 1960, in an effort “to refresh Pepsi’s communications,” according to Dave Burwick, the new chief marketing officer for the PepsiCo North America beverages division. PepsiCo also selected the Arnell Group as its design agency for brand identity and packaging.
Well, pardon the pun, I am not so sure there is anything “refreshing” at all about the new Pepsi identity that Arnell just designed. In fact, it seems like such a missed opportunity…and an amazing waste of money.
Theoretically, the new logo is much improved and much more dynamic because it flashes a smile. That may be so…but when I look at the new packaging it seems generic and impersonal….and that does not make me smile at all. Lately a few venerable brands have undergone makeovers that I think are questionable: AT&T and Xerox, for example. Pepsi is the latest one to join the group.
In the case of AT&T, in an attempt to make the unfriendly company come across as more approachable, the classic logo became dimensionalized. Surely AT&T wanted to come across as a contemporary, friendly and dynamic company. Instead, the symbol seems executed by a design student trying too hard to make something look cool.
Then there is the new Xerox logo. Again, I’m sure that someone thought that the digitized X that we had come to associate with Xerox had become obsolete…and that the company’s sophisticated digital solutions were not properly represented by something that actually looked digitized. Apparently “the sphere-shaped symbol with lines that link to form an illustrative “X,” represents Xerox’s connections to its customers, partners, industry and innovation”. Personally, I think it looks like a red version of the Xbox360 logo.
Now we have the new Pepsi logo. After months of work…during which time much consideration was given to “preserving the heritage of the Pepsi brand, while creating a more vibrant and energetic logo that will help Pepsi connect with its customers”. As a result of all this effort, in my opinion, the designers came up with something just as impersonal as the old logo. According to some reports the re-brand will cost the company in the neighborhood of $1.2 billion.
However, as I am fond of saying “a logo does not a brand make”. So, let’s take a look at the packaging…which is probably the most important manifestation of this brand. When I take a look at the “before and after” images, I can’t help but feel a mix of confusion, disapproval and disappointment. Perhaps Pepsi is trying to be more minimalist…but I think it the brand just comes across as generic and cheap. Is this design better? Will it make any difference at all?
Lastly…I wonder about the strategy behind the logo modifications that are featured on the cans of Pepsi, Diet Pepsi, and Pepsi Max. I guess that Pepsi Max is supposed to make my smile bigger?
Really….what is the point? I am not smiling.
Please feel free to comment!
Alfredo Muccino
Chief Creative Officer
Liquid Agency | Brand Marketing
Olive included in ultimate “Logo” book!
We’re very happy to have been included in what is being billed as “the ultimate designer’s reference” book on logos - the book “Logo” by Michael Evamy.
According to Michael Bierut of Pentagram, “this wonderful resource will make better designers of all of us”. Now, that’s a pretty impressive statement from a very accomplished designer!
The Olive logo shares the same space as the logos for Disney, Ford and Harrods…which is pretty amazing.
“Logo” is a thick book, mostly in B&W…offering a great overview of some of the best identities in the world. For more information about the author, please take a look at his site www.evamy.co.uk …or head out to the nearest bookstore and add this book to your library!
1 commentOlympic Logo: What do you think?
The new logo for the 2012 London Olympics has elicited an amazing amount of controversy. According to Jacque Rogge, President of International Olympic Committee, “this is a truly innovative brand logo that graphically captures the essence of the London 2012 Olympic Games — namely to inspire young people around the world through sport and the Olympic values.” According to many others it is an atrocious symbol that should be immediately scrapped. According to an article in the Times Online by Robert Booth, “The logo, designed by Wolff Olins, a London branding agency, and approved by Tessa Jowell, the culture secretary, was launched to almost universal disdain”. Personally, I am still trying to digest it. My first impression is that it is shockingly unattractive, and reminiscent of post-punk eighties graphics. I’m trying very hard to be open minded and see if it grows on me…but so far, it’s not working! I wonder what you think? I’d love some feedback…especially if you can defend it!
